It’s a wonderful collection.” Mangin majored in photojournalism at San Jose State and began his career in 1987 as a 22-year-old intern with the Contra Costa Times newspaper. I thought it would last forever. 11-year-old Brad Mangin pitches for the Centerville American Little League Orioles at John G. Mattos Elementary School in Fremont, CA in June of 1976. “Worth The Wait“, “NEVER. I will recommend him over and over again. Renowned sports writer Frank DeFord left Sports Illustrated to become the editor of the massive New York-based project and Neil was the director of photography. 7 Responses Carrie. He never missed. About. I really don’t know. Be smarter than me. Joe Panik and Brandon Crawford art print by Brad Mangin. Every day I go to the ballpark I believe I will make a great photograph. There are some days when the one or two iPhone pictures I share on Instagram give me way more satisfaction than anything I shoot with the DSLR at a sporting event. That’s what is so much fun about photography. Tim Lincecum. One of my career highlights includes working for the legendary sports photographer Neil Leifer as the Bay Area staff photographer at The National Sports Daily in 1990. It has become incredibly difficult to earn a living as a sports photographer these days. Instagram In high school my best friend Joe Gosen (who now teaches photojournalism at Western Washington University) talked me into taking a basic photography class in the second semester of my junior year. Description. I joke with young photographers that they need to inherit a big pile of cash, marry someone who has a great job with benefits, and never plan to make any money. I loved shooting Little League games when I worked at newspapers in the late 1980’s. I don’t have to worry if the frames are sharp on that roll of film on United #78 from SFO to EWR flying at 35,000 feet over Iowa as I try to sleep. Your exposures had to be perfect. You had your little metering tricks for every situation and you needed to build up confidence because you had to ship your raw, unprocessed film to your editor. Digital SLRs finally became viable for publications like Sports Illustrated in late 2002 with the advent of the Canon EOS-1D. I used to think that archive would be a huge part of my retirement. When I was growing up in the San Francisco Bay Area my father always said, “You can’t beat fun at the ol’ ballpark.” He was right. By Brad Mangin. My favorite sport as a kid was baseball, and my favorite team was the San Francisco Giants because my dad and older sister rooted for them. Many of my friends have shot there over the years and made some incredible pictures. Summary: Brad Mangin's birthday is 01/14/1965 and is 55 years old. In 2011 I served as a judge for the NPPA’s Best of Photojournalism contest, and in 2008 I judged the 64th Pictures of the Year International photo contest in Columbia, Missouri. It was an incredible job. Mere mortals were thrilled if they could get one frame that was tack, and a few that might be “sharp enough” to run in a newspaper with bad reproduction. Eight separate times Brad Mangin’s photographs have graced the cover of Sports Illustrated magazine. In 1994 I finally got my first computer, an Apple Powerbook 520c. I learned so much from him. KRON 4: World Series photographer explains how to shoot better Smartphone pictures, Life in the Front Office Podcast: Brad Mangin, the legend behind the Photos, Memories and Dreams: Mangin Makes Donation to Baseball Hall of Fame, New York Times Lens Blog: Instagram Dispatches of a ‘Baseball Freak’, PetaPixel: An Interview with Sports Photographer Brad Mangin, PetaPixel: I Earned More From Photo Gigs in 2016 With My iPhone Than My DSLRs, PetaPixel: I Just Had 20,000 Slides Returned from Sports Illustrated, PGA TOUR: THE PLAYERS Focus: Brad Mangin, iPhone Photographer, PGA TOUR: TOUR Championship through the lens of an iPhone 7 Plus, Photo Brigade: PhotoShelter Photo & Beer Night: History of Baseball Photography (video), Photo Brigade: Podcast #6 with Brad Mangin, Photo Brigade: Podcast #74 with Brad Mangin, PhotoShelter: Brad Mangin's Editorial Photography Workflow, PhotoShelter: Instagram Secrets from a Pro Sports Photographer, PhotoShelter: Instagramming the Glory of Baseball: Brad Mangin’s Book, Instant Baseball, PopPhoto.com: Pictures of the Year Judging Begins in Columbia, TechCruch: This iPhone-only professional photographer is the future of sports photography, The Mercury News: John Tamargo’s stunning, game-winning home run in 1979 has special meaning for one fan, The Players' Tribune: Fun in the Sun: The Hall of Fame Classic at Doubleday Field, The Quaz Q&A: Brad Mangin, by Jeff Pearlman, TIME: This Photographer Has Been Photographing the World Series for Two Decades, WIRED: Confessions of a Spring Training Photographer, WIRED: Playoff Photo Highlights From a Pro’s Insta Feed, WIRED: Stop Arguing About Instagram & Go Make a Picture, World Photography Organisation: A passion for baseball – Brad Mangin. To date I have not had any crazy benefits because of this. Brad has two main clients, Sports Illustrated and Major League Baseball. I want to see great light, a great face, and a clean background. There is nothing I would rather do. Focusing was an entire different skill. Then I thought I would be the next Giants radio play-by-play announcer so I could get paid to attend every game. Photographs by Brad Mangin. We bought our new house, sold our old one, and it was almost effortless thanks to Brad's help. This was the first camera that SI decided produced a good enough file that they could run as a two-page spread in the magazine (by shooting RAW). Why are my pictures not very good today? In between, I have covered a number of Super Bowls, All Star games and playoff games all over the United States. It’s very simple. I know that is something that keeps me going. Gone are the days when publications have the budget to send photographers to games because they want to get a first and exclusive look at what that photographer sees and shoots during a sporting event. Baseball, where he shoots over 100 games in a season, producing a huge amount of images. My 30 year old Schneider loupe came in handy when looking through my 20,000 selects that were returned by Sports Illustrated. All art prints include a 1" white border around the image to … Brad Mangin is on Facebook. Brad Mangin is a freelance sports photographer based in the San Francisco Bay Area where he regularly shoot assignments for Sports Illustrated and Major League Baseball Photos. During my senior year of high school I worked on the yearbook staff and had many more classes with Mr. Ficken. As long as there are people willing to work for free, or allow their images to be used for free, or almost free it will be tough to get the end users to pay again for original content like they used to in the old days. The National was a new idea for a daily sports paper in the United States, just like they had all over the world in countries like Germany, Italy, and Spain. We started seeing more and more pictures of wide receivers in mid-air catching passes and shortstops diving for line drives. What could I have done differently? Of course guys like Biever and Storey didn’t need the new stuff and still kicked everyone’s ass by manual focusing, but the field was being leveled. I try to be positive about stuff like this, but I have never seen licensing fees for images or creative fees for photographers go up once they have dropped so low because of supply and demand. He was born on February 08, 1977 (43 years old) . You never know. We had a great teacher, Paul Ficken. Brad Mangin is a freelance sports photographer based in the San Francisco Bay Area, where he has been photographing Major League Baseball for Sports Illustrated and Major League Baseball Photos since 1987. But the 55-year-old senses he’s fighting a losing battle in the never-ending pursuit of the perfect shot because of the rise of the league-employed social media producer. I just finished shooting the World Series and my pictures shot at ASA 2500 or 3200 are incredible — and of course they are tack sharp! You knew that backlit batters at Candlestick Park shot from first base were 1/500th of a second at f/4.0 with Fujichrome RDP 100 pushed a stop to 200 because the dirt in the batters box kicked in an extra 1/3 stop of fill light. In 2006 I was awarded the Ohlone College Alumnus of the Year. Brad Mangin is a freelance sports photographer based in the San Francisco Bay Area where he regularly shoot assignments for Sports Illustrated and Major League Baseball Photos. I have had a great run, but I aint giving up, yet! I want to “paint” a perfect photograph by picking my background canvas. In June of 1990 I was hired by legendary photographer Neil Leifer to be the San Francisco-based staff photographer for The National Sports Daily. As a kid I dreamed of being able to attend every San Francisco Giants home game. “I don’t go to bed at night without uploading and captioning in PhotoShelter,” says Brad. Made me teary to write! In 1994 I started shooting for Major League Baseball, which is a great relationship that still stands today. Thanks to Neil Leifer’s help I got my foot in the door at Sports Illustrated where I was given the chance to shoot a few assignments in late 1992. That’s the dream. Our goal was to get an AA degree in photojournalism and then transfer to the legendary PJ program run by Joe Swan at San Jose State. It was definitely the best picture I shot all night until Stanford won the game 38-36 with a last-second field goal. Say. John is the best sports photographer the Bay Area has ever seen and covered the Joe Montana 49ers like no one else during their heyday. Is there anything else you’d like to say to PetaPixel readers? Brad Mangin/Brad Mangin Photography Show More Show Less 11 of 13 Photographer Brad Mangin sits in the San Francisco Giants dugout prior to a World Series game in 2012 in San Francisco, Calif.. While working at the small newspaper I started shooting assignments for the NBA and Upper Deck. Brad's first two books, Worth the Wait and Never. DIE“, and “Championship Blood” documented each championship season through my eyes from spring training in Scottsdale, Arizona to the victory parades in downtown San Francisco. He loves the Brady Bunch and Barry Zito, has no desire to ever again wear a diaper and is the author of a wonderful new book, “Instant Baseball: The Baseball Instagrams of Brad Mangin,” which captures the PetaPixel: Can you tell us about yourself and your personal background? Then I got a huge break. I have shot almost everything I would ever want to shoot. With the help of my before-mentioned friend Joe Gosen I launched my first portfolio website manginphotography.com in 1998. Speaking at workshops, colleges, and other venues is one of my passions. You don’t want to have ugly fences and cars in your background. I really can’t sugar coat this. Sleeping at night could be problematic if you did not have confidence in your exposures. When things are going really great there is terrific light to go with my great background. Buster Posey. How does your iPhone camera and Instagram account play a role in your work these days? I have been incredibly lucky as a photographer. I absolutely love shooting pictures with my iPhone and sharing them on my Instagram account. The rest of the 1990’s were pretty smooth with work, more and more of it from SI. INSTANT GRATIFICATION Since spring training SI contributor Brad Mangin has been snapping pictures at ballparks in the West with his iPhone 4S, using a filter to give them an old-time feel and posting them for his followers (@bmangin) and SI's (@sportsillustrated) on Instagram. Band of Outsiders, Brad Mangin, Chicos, Chuck Taylor, converse, Crap I'm Old, Dad, Fremont, Juicy Couture, Shopbop / Paula / 7 / Crap, I'm Old. We told Brad what we were looking for, and Brad just did his thing. 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In the old days if you had to shoot a night game it meant your pictures would look like shit. Before I knew it I was covering sporting events all over the place and sending pictures back to our picture desk in New York over analog phone lines with an AP Leafax transmitter that took 30 minutes to send one color picture — and that was state of the art at the time! I am from the generation of kids who went to sleep with their transistor radio under the covers listening to night games (the Giants only televised 20 games a year back then — all road games) and soon my dream was to be a radio play-by-play guy so I could call baseball games and get paid to go to the ballpark every day. Thanks Carrie. Before you knew it sidelines at sporting events were littered with white lenses for the next several years as many sports photographers went Canon, simply because of their terrific autofocus technology. 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