Having explored major triad pairs in my first two videos, the next most obvious triad pair would be two minor triads separated by a whole tone ⦠The tritone has appeared in Western music for hundreds of years. That doesnât mean that you canât put it to good use in a tonal context. Lydian b7 Scale 18. These are the notes that give the whole tone scale its unique, "dreamlike" sound. Other Triads: 4 Notes Chords: C#7b5 C#7#5 D#7b5 D#7#5 F7b5 F7#5 G7b5 G7#5 A7b5 A7#5 B7b5 B7#5. Starting from C: â¦and moving upwards in a fixed whole step interval: C to D: D to ⦠Diminished 7th Arpeggio 23. the C half-whole diminished scale and the C# half-whole diminished scale share these triads: C#dim Edim Gdim Bbdim while the C half-whole diminished scale and the B half-whole diminished scale share these triads: There a couple things to notice here! One triad is diminished. Augmented triads can be found within the whole-tone scale. scales with a unique collection notes) and then the various modes of those two scales: G Wholetone Scale = G A B C# D# F C Wholetone Scale = C D E F# G# A# When you play the whole tone scale over minor chords you always play it a half step down. If we use the other voicing, the thirteenth, then we use the sharpen fifth - we take that form of it. For example, every second and third is major, every fourth is a tritone, and every sixth and seventh is minor. The scale provides a nebulous, unsettled feeling with its lack of fa-mi or ti-do resolution. Minor Pentatonic 11. Diminished Scale Half-Step Whole Step 24. Because of this there are only 2 distinct wholetone scales (i.e. However, the whole tone scale has 6 notes that are all a whole step apart, making its intervallic formula easy to remember - W-W-W-W-W-W. E Whole-tone scale . Any pattern built on one step of the scale can be replicated on all other steps of the scale Diatonic 7th Chords 14. The whole tone scale is a series of whole tones. D Whole-tone scale . G Whole-tone scale ⦠This means that two non-enharmonic diminished scales share 4 diminished triads, but no major or minor triads. The Tritone Scale is a synthetic scale like the diminished or whole tone scale. Pattern Repetition in the whole-tone scale is especially pronounced. Play A Whole Tone over A dominant 7 so you can hear how it sounds. Melodic Minor 17. The same triads that exist in the whole tone scale also exist in the melodic and harmonic minor scales. The application of this scale really shines when you use it over one chord vamps and modal tunes that have a slow-moving harmonic rhythm. It is primarily associated with the French impressionist composer Claude Debussy , who used it in such pieces of his as Voiles and Le vent dans la plaine , both from his first book of ⦠Diminished Scale 22. C and D Augmented Triad Pair Minor triad pairs. It has two non-enharmonically equivalent positions: C D E F ⯠G ⯠A ⯠C and D â E â F G A B D â . C-sharp Whole-tone scale . Another common hexatonic scale is the whole tone scale. F Whole-tone scale . After all, plenty of guitarists know how to play this scale but not many use it because it has a pretty weird, unsettling sound. Major triad: How to build from the 1st scale degree of the major scale Some also refer to this as the double diminished scale because it can be conceptualized as alternating between two diminished arpeggios (C, Eb, F#, A and C#, E, G, Bb). The whole tone scale is somewhat uncommon, and is often only used for short ⦠For: C ocarina | G ocarina (click on the score to view exercises for any scale; see also Wikipedia) One-octave C Whole-tone scale . Scale 1365: Whole Tone: Scale 1363: Gygimic: Scale 1371: Superlocrian: Scale 1375: Bothyllic: Scale 1351: Aeraptimic: Scale 1359: Aerygian: Scale 1383: Pynian: Scale 1399: Syryllic: Scale 1303: Epolimic: Scale 1335: Elephant Scale: Scale 1431: Phragian: Scale 1495: Messiaen Mode 6: Scale 1111: Sycrimic: Scale 1239: ⦠Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. It is great to use over dominant #5 chords as long as you understand the notes you will get: 9th, #11, #5. There are two basic applications of this scale. You see, a whole-tone scale (A scale made of all whole-tones) only has three possible intervals (excluding inversions). Interval structure of this scale: W W W W W W. (W: Whole tone, h: half tone) Scale structure: 1 2 3 #4 #5 b7. Whole Tone Scale â Starting on C. The C whole tone scale above is comprised of the notes of a C augmented triad and a D augmented triad. In a whole tone scale adjacent notes are separated by an interval of a whole step from one another. The whole tone scale is a six note scale in which there are only whole steps between adjacent notes. F-sharp Whole-tone scale . Also fine: augmented triads (as long as they donât imply a major 7.) In dominant chords based on whole tone/half tone scale between root and #11, b9 and fifth, #9 and 13, third and minor seventh (as described above). The first part of the definition says, ââ¦a collection of threeâ¦â C Whole-tone scale . An Augmented triad can also be built on the 5th degree, as is ⦠when improvising on such harmony you can make drastic shifts in sound. Altered Scale 19. The Whole Tone Scale on Minor Chords If you really want to use the whole tone scale in some very challenging areas, try minor chords. Diminished triads can be found within the diminished scale (as well as major and minor scales). Whole-tone scale, all keys. Mixolydian (b9) (b13) 20. According to Jermaine Griggs, ââ¦a triad is a collection of three related notes (agreeable or not) that maybe played together or separately.â Permit me at this point to breakdown this definition of a triad so that you can have a better understanding. Whole Tone Scale . Because of the half step and whole step formula of the major scale, some 3rds are closer or farther apart than others. In lesson 1 we talked about what the whole tone scale is, how to construct it, use it and practice it. The simplest one is to play it over a dominant seventh chord. It is key to study them in relationship to other augmented structures (for example, within a whole tone scale), or in the context of a chord progression that uses an augmented chord. Chords that fit in this scale: Normal Triads: C#aug D#aug Faug Gaug Aaug Baug. Whole Tone Scale 21. The principle of relating chords to scales is essentially quite simple: Any chord made entirely from scale tones (and not having any notes from outside the scale) is related to the scale, and is likely to suit a piece of music written in the scale. As a result, there are major triads and minor triads. There are no half steps in a whole tone scale so all thirds are 2 whole steps and all 5ths are augmented Harmonic Minor 16. ... A common trick is to use major and minor triads over a pedal point, i.e. Iâve found that by conceiving of it both in augmented triads and with chromatic passing tones it becomes a little less obviously âwhole toneâ. These spread triads can help you to see the connections between the chords on the fretboard. The whole tone scale consists of a succession of notes in fixed whole step intervals from a given note to its octave. Chromatic Whole Tone Scale ⦠In this lesson entitled Whole Tone Scale-Lesson 3, we are taking a look at using the whole tone scale in a variety of diatonic augmented triad patterns over augmented triads and augmented dominant chords. Building Triads. The whole tone scale can be a bit too transparent to use frequently during improvisation. (6.2) Scale Tone Triads. Within this group of notes we get some notes straight from the G7 chord 1, 3 and b7. T------------------------------------ ⦠Minor Triads 12. A Short Note On The Whole Tone Scale. ⦠You build triads on all scale degrees by following a formula of 3rds. the tritone in chords The Tritoneâs Diabolical History. Augmented Triads since all the notes in a whole tone scale are a whole step apart the triads will all be augmented triads. Diatonic Triads 13. E.g. Since the melody may trump ⦠E-flat Whole-tone scale . This simple melody ascends using augmented triads grouped in threes and descends ⦠From any given note, moving to another note, the space between them can only be: A major 2nd (a whole step) A major 3rd; A Tritone (augmented 4th/diminished 5th) There are only 2 whole tone scales. A classic âdream sequenceâ sound, the whole tone scale is just that - all whole steps. Locrian Mode 15. Major and minor scales consists of 7 notes, while pentatonic scales are made of 5 notes. It is difficult to establish a clear tonic pitch when using the whole tone scale; music that uses this scale tends to sound "blurry" or "wandering." Going from an Eastern-flavoured semitone â tone feel to ⦠Please permit me to refresh your mind on the whole tone scale before we proceed. In addition to this, we get some more colourful notes: 9, b5, and #5. The Wholetone Scale, as the name implies, is made up exclusively from whole tones. The Chromatic Whole Tone Scale is a great alternative to use over the diminished scale due to the fact of it having a lot more triad combinations. From each scale degree, you can build these triads by alternating notes (intervals of a 3rd) within the scale. Possibly, the most common Melodic Minor derived Triad Pair (although by no means the only one) consists of triads generated from the 3rd & 4th scale steps (Ab-C-E & Bb-D-F in F Melodic Minor) - in other words, an Augmented and a Major Triad a whole step apart. The Whole Tone scale exists with two sets of notes: C - D - E - F# - G# - Bb (shown above) C# - D# - F - G - A - B This is because there is no leading note in a whole tone scale, since it can be played symmetrically from any note on the keyboard, and all the intervals are the same. 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